If you’ve managed to raise children, pay a mortgage, and survive the cottage prices – you might as well start salsa dancing, learn tennis, or walk 20 minutes every day without dying.
Why do kindergartens sing about “gender fluidity,” but are forbidden to say “Shema Israel”?
A Star of David in a trash can is courage, but a picture of Jerusalem is right-wing provocation?
Deni Avdija is an Israeli All-Star – not because they said so, not because they decided to, but because he earned it.
How come a joke about pigeons is considered culture, but Jewish symbols are a provocation?
Pink Floyd built a wall to criticize it.
Roger Waters? He simply moved to the side where people throw stones – and is convinced that it is still art.
Welcome to the country where two things happen faster than you can blink: wars — and the transformation from natural lips to “please-remove-me-from-the-oven-I’m-done” lips.
Israel and Eurovision are not a “romance.”
It’s an addictive relationship, not healthy, but one we can’t live without. Like the cigarette after a night out, or the third Chaser on a Friday night — you know it’s not good for you, but you’re there.
In a country where every word is policed, every tweet can ruin a career, and “offense” is a national sport –
“Fathi & Zimri Among the People” is a small cultural explosion of free speech
“What are they trying to sell us in pop culture – and why does every rapper today sound like a spokesperson for the United Nations?”
What Are They Trying to Sell Us in the Name of “The Protest”
November 30, 2025
